“An absolute triumph.” John Swenson, Offbeat Mag.

Friday, Aug 1st, Checkpoint Charlie’s

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July 27th – Sunday, Funky Pirate, 4pm

July 28th – Monday, Funky Pirate, 8pm

July 30th – Wednesday, Margaritaville, 3pm

Aug 1st – Friday, Checkpoint Charlie’s, 11pm

 

You can buy the new album HERE!

 

Sundays 5pm & Mondays 9pm – The Little Tropical Isle at 435 Bourbon Street.

 

 

Click CALENDAR for full schedule

“Come To My House” Video Shoot

We had a blast last week shooting the new video for “Come to My House,” the title track from the new album. With the Mighty K & D (Kaitlin Hanrahan and Derek Bridges) manning the cameras and Anthony Favre directing, it was a fun-filled day with shirtless poker players and lovers in stairwells. Here’s a little behind the scenes for you! A big thank you for all who participated. You made me feel like a superstar! The cast included Casandra Faulconer, Chris Pylant, Diana Shortez, Margie Perez, Jack Pollack, Brian Hudson, Monica Dhand, Ricky Stein, Emily Morganti, Paul Walther, Jorge Lopez, John Sharappa, Stevie Silver & Alisha Bigelow. I hope i didn’t leave anyone out! Much love to you.

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Jack Pollack, Diana Shortez & Jorge Lopez!

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Anthony Favre, Diana Shortez, Me and Margie Perez!

“An absolute triumph”

Read what John Swenson of Offbeat Magazine says about Lynn’s album:

LYNN DRURY
Come to My House – Old Shoes Productions
by John Swenson

With her last release, the powerful Sugar on the Floor, Lynn Drury came into her own as a singer-songwriter. Backed by what might humorously be called the Royal Fingerbowl mob, with drummer Carlo Nuccio as the producer, Matt Perrine contributing arrangements and guitarist Alex McMurray offering stellar support, Drury’s passionate tomboy grace found appropriate accompaniment.

Drury did not rest on her laurels, turning to John Porter, a veteran British producer (Roxy Music, Smiths etc.) with a hit pedigree who’s done outstanding work with local artists (Jon Cleary, Tommy Malone) since setting up shop in New Orleans. Their collaboration has produced the formidable piece of Americana, Come to My House. The songs reflect Drury’s growing self-awareness and confidence as a vocalist. Porter’s approach treats her as if she were a Grammy-winning diva looking for her next commercial and artistic triumph.

The record elevates Drury’s personal observations about the battle between the sexes into the realm of universal archetypes. She stands for every woman ever burned in a relationship and is talking to every potential love interest looking to hook up. The hard-rocking title cut is a gauntlet thrown by Drury at the feet of potential lovers. “You want to be free,” she sings, tauntingly, accusingly. Well, the hard-rocking invitation to “Come to My House” is cut by the warning, “You better start with your mind.”

Of course, no sugar is spilled without a little sweet talk, skillfully delivered with “Make It Easy” and the sultry reggae come-on “I Know You Want Me,” which features keyboard accompaniment from Cleary. As the relationship moves on, the battle is joined on “Construct” and the existential dilemma documented in “That’s What You Mean.”

Eventually love devolves into tristesse, beautifully articulated in the world-weary disillusion of “Every Time You Come Around.” Porter plays a beautifully wistful guitar line in support of the long-suffering sentiment of the lyric. His lead guitar work, along with that of Shane Theriot, is superb throughout and he captures an aspect of Drury’s singing that has created a new persona for her without changing anything of its essential nature. The result is an absolute triumph, matching a talented and increasingly self-confident songwriter and vocalist with a sound that is perfectly suited to her.

“This is the last chance I ever took on love,” Drury concludes in the catchy “Tell Me,” an assertion that has the combination of worldly wisdom and willingness to take a calculated risk. Until, you know, the next time.

Cut 6 Explained